10 Best Alternatives to Logic Pro for Windows 10 | GeekFrost – Discussion
Remember Me? The No. Today’s Posts competitions support us FAQ advertise our advertisers newsletter. When you buy products through links across our site, we may earn an affiliate commission. Learn more. My Studio. Is it possible to change the size of the channel strips in the mix window of Logic? I have dual displays, arrange on one, and mix on the other. There is a lot of wasted space in the mix window because the channel strips are so small!
I could change the resolution on it.. I don’t think so. I wish we could make the menu fonts bigger. I re-sized a plugin – made it smaller – but when I changed Screen Sets and came back, it was back to its original size! I have the last channel in my autoload full of muted gain plugs and all the 8 sends selected, so then the whole mixer goes ‘full features’ from the beginning as I can’t deal with it any other way.
Ludicrous for it to grow and change shape on me as I go. Once you’ve done that, the channels are plenty high I think I’ve only gotten 2 widths, and they’re almost identical. If I could shrink them to half the horizontal size I would. As far as vertical What I need it to do, and it doesn’t that I can figure out If it could do that properly, I’d get another 40″ monitor, and dedicate it to mixer I can dream Use the mixer layer in the environment and you can arrange it any way you want.
The best lazy SOB way I believe is to have an autoload that accommodates all you need from the getgo. Mine has 48 channels, 16 VI’s, 8 aux returns and 16 busses. I never end up having to add mid way, which suits me fine as I am also a lazy SOB and hate to have to feck with adding things and messing it all up mid way. Also the environment IS my mixer. Never use the ‘mixer’ as such, as it seems an eyesore. When I think of environment, all that comes to mind is flowchart of connecting virtual wires.
I have huge screen I have size and resolution screenwise to fit everything if software will let me. I don’t have a control surface, and do a lot of drawing in of automation, and a lot of midi sequencing, so it helps for me being able to blow it way up. I’ve also got a design background, and doing lots of color coding, etc Actually, the mixer is the one part of logic that doesn’t work visually I get good use out of the big screen Am I a total slut for trying to figure out how to add another 40″ display and fill it with 60 channels of mixer?
I feel so dirty. Environment on the right in all your screensets, open to the Mixer page and link disabled so that it doesn’t follow all your selections should give you what you need.
I can give simple workflows to building out things from scratch if you’d like, but later busy atm. Using Logic’s shortcuts to duplicate things and reassign them is so fast for me that I never feel like I’m ‘slowed down’ at all, in fact I find the new “GUI” workflow in Logic to be more cumbersome so tend to avoid it but that might just be my own personal habits there eh.
Just a word of caution: When using the Environment window primarily as a ‘mixer’ window, be aware that in Environment you can’t command-drag channel inserts, nor option-command-copy-drag channel inserts.
Dunno if this would tamper your workflow, but it’s the only reason I myself can’t use Environment in place of the Mixer window all together. I ended up just changing the resolution, the bigger they are the easier they are to keep track of, and I won’t have to squint at the screen to choose the right channel! You need to compromise a little to find a resolution that works with both PT and Logic but that’s no big deal! I would imagine the default ‘klopfgeist’ channel would be a good place to do this Top Mentioned Manufacturers.
Derp 13th October The Press Desk 13th June
Logic Pro X Tutorial: Get Mixing in a Powerful DAW – Produce Like A Pro – Discussion
It has a great toolset, including an astonishing and highly customizable user interface. Adobe Audition supports MP3 editing without any issues.
There is such a program available in the market for free. It is open-source software, so any developer can modify it on their needs. While, Ardour helps you try all those features for free, with the limitation of creating a maximum minute project.
Reason is a complete music system work station that provides full sets of music tools and instruments. It comes with the pattern sequencer, REX file loop player, mixer, synthesizers, samplers, vocoder, drum machine, professional mastering tools, and more.
Produce without limits. Bitwig Studio is a comprehensive audio mixing workstation software for audio recording, editing, mixing, music composition, and mastering. The Bitwig Studio features a full presets of high-quality audio and MIDI effects, instruments and composition tools ranging from piano roll editor, drum sequencer to a sophisticated score composer as well. Additionally, It has a charming user interface than other workstations. These are the best alternatives to Logic Pro on Windows On the other hand, the Ableton live comes with better features than the rest of the DAWs.
But in the end, the decision depends on how your workstation is configured, what instruments you want, as well as GUI and your sound mixing requirements should be considered, too. Windows 10 Apps. Pros of using FL Studio: — A quick drag and drop UI makes it easy to learn the mixing theory compared to other DAWs — It has a scalable interface, easily adapts to the screen you are using on.
Get hands-on with a super-tactile experience in Live Loops via Launchpad — an 8×8 grid of expressive pads for cell control, dynamic note input, mixer control, and more. Learn more about novation launchpad. Bring DJ-style effects and transitions to an individual track or an entire mix with a collection of stutters, echoes, filters, and gating effects. Create nuanced drum tracks, mix and match music while staying on tempo, and more.
As your song develops, Logic Pro helps you organize all your ideas and select the best ones. Group related tracks, audition alternate versions, and consolidate multiple tracks. Lightning-fast click-and-drag comping helps you build your best performance from multiple takes.
Quickly manipulate the timing and tempo of your recording with Flex Time. Easily move individual beats within a waveform to correct a drum, vocal, guitar, or any other kind of track without slicing and moving regions. Edit the level and pitch of individual notes quickly and easily with Flex Pitch.
Roll over any note and all parameters become available for tweaking. Play freely and stay on beat with Smart Tempo, a way to effortlessly mix and match music and beats without worrying about the original tempo. Record freely without a click track. And easily combine and edit MIDI and audio tracks — from vinyl samples to live instruments to multitrack audio stems — with constant or variable tempo.
Create organic-sounding acoustic drum tracks or electronic beats with the intelligent technology of Drummer. You can choose from dozens of drummers across many musical genres, and direct their performances using simple controls. Edit the drum pattern in real time, including volume, complexity, and swing.
Drummer can even follow along to a specified track and adjust its playing accordingly — much like a live drummer would. Click and drag to choose the best sections of each take to create a seamless comp, complete with transition-smoothing crossfades.
Save multiple comps and switch among them to pick the one you like best. Consolidate multiple related tracks into a single track. Use a Summing Stack as a quick way to create submixes. Or create layered and split instruments. Create alternate versions of a track or multiple grouped tracks, and switch between them at any time to audition different options. Create, store, and select from different edits and arrangements of track regions to make it easier to experiment with various creative ideas.
Load any version to make changes without compromising your original. Assign any selection of channels to a track group, then control the levels or other parameters of all tracks in the group from any single channel in the group. Easily capture changes to any channel strip or plug-in parameter. Just enable automation, press Play, and make your changes. Make your songs and other audio productions sound their best with a complete collection of dynamics processors, EQs, and other production effects.
Use built-in Logic Pro plug-ins or any third-party Audio Unit effects to directly and permanently render effects in any portion of an audio file, or to multiple files at once. Transform MIDI performances into music notation in real time as you play, creating perfectly readable notation even from a performance that may be less than perfect.
Logic Pro makes scoring and sound design a snap. Share projects and tracks with AirDrop, Mail Drop, or a comprehensive set of features for exporting stems. Render, or bounce, a project to a single audio file — or to multiple audio files. A project can be bounced to several different file formats simultaneously, and a surround project can be bounced to a set of surround audio files. Bit depth determines the overall dynamic range of your recording. There are 6 dB worth of headroom in each bit, so a bit depth of 24 offers dB of dynamic range.
You can choose 24 by checking the box in the Recording menu. There are a few different ways to go about it, and some are more efficient than others. The first way to import audio into Logic Pro X is to find the files in your Finder window, highlight them, and simply drag them into your session. From here, a dialogue box will ask you whether you want to Create new tracks, Use existing tracks, or Place all files on one track. Another way to import files into Logic is to do so using the Import menu.
If you select Audio File from the Import menu, a dialogue box will open allowing you to find the tracks for import. This is especially important the more tracks you have to mix! Make a selection by clicking the first track and dragging to the last one.
Listening to this will help you determine where things should begin to sit relative to one another. At this point you can get hands on and move faders! This is great for, say, a left and right rhythm guitar, or any other stereo pair of instruments.
Lots of engineers recommend bringing all the tracks down to dB when starting a mix just to create headroom. Panning instruments around the stereo field is usually the next step after setting basic levels. You can even get really creative with your placement of elements in the stereo field to add interest to your mixes! Balance is used for mono tracks where we have just a single audio signal. Stereo pan takes into account both channels of audio on your stereo tracks, which can be very useful on, say, a stereo recorded keyboard.
Some more obvious panning moves are left and right rhythm guitars, panning overheads or other percussion left and right, etc.
There are two different ways to open up the Channel EQ in Logic. The first is to locate the Audio FX section of a channel and find EQ in the drop-down list of plugins. On either end are high- and low-pass filters, as well as high and low shelving EQs. Generally speaking, EQ should be used conservatively. If you find yourself making really drastic boosts or cuts to a signal, this is probably a sign something has gone wrong while recording.
Another general EQ tip is to boost frequencies with a broader Q, and cut frequencies with a narrower one. Even gentle filtering around 20 or 30 Hz on low-end instruments like kick drum and bass can carve out a ton of space in your mix!
Learning how to use a compressor is one of the most important mixing skills you can acquire. Compression is quite literally all over mixes, even becoming the sound we associate with loud, modern pop mixing.